Patterns and patterning — cellular, celestial, social, political and personal — spin and weave through Paula Meehan’s new collection of poems. From the mythic to the mundane, her attention is given over to the examination of interconnected lives — her own, the lives of her family, the human ecology of her native Dublin — and the unfolding of pattern-cycles in the non- human world.

Meehan’s familiar impulse towards blessing and empathy is shadowed in these poems with a clear-sighted understanding that the human perspective is neither privileged nor superior, an awareness that much if not most of existence is indifferent to our all-too-human dramas.

Nevertheless, explorations of family, of her own mortality, of the lives of long-dead tenement dwellers, shift and shine in a web of stories that speak to a stubborn human endurance that is sometimes heroic, sometimes tragic — and occasionally transcendent.

As well as new poems, this collection integrates Museum (2019), a sequence commissioned for the Dublin Tenement Museum, and For the Hungry Ghosts (2022), a poem cycle responding to the Hades episode of Joyce’s Ulysses.